Anonymous behind their black-daubed faces, these bell-wearers or Koudounatoi , as they are called act out their desires, their repressed and suppressed erotic instincts, as they seek to purify the community and scare away evil spirits with their apotropaic appearance and the loud, scary ringing of their bells. Others believe they symbolize the souls of the dead, which have the power to make the land fertile again. They wear traditional headdresses, similar to the keffiyehs the Arabs wear, or a bright yellow and red hat that they make themselves by cutting a gourd in half and pinning a few turkey and cockerel tail feathers to the end. They hold a long, thick phallic staff the koutskouda , with which they pound the earth, as though inviting Mother Nature to open up her dark womb for them to plant the seed with new life, or somehow seeking to release the light into the last, dark days of winter so that new growth can begin. This pagan ritual has deep, primordial roots with links to Dionysian worship and acts of faith with which the villagers hope to fertilize the earth by magical means. Dimitris Yeros is a Greek artist and photo-grapher whose works have been widely shown in Europe and North America.
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Lesbianism is the sexual and romantic desire between women. There are historically far fewer mentions of lesbianism than male homosexuality , due to many historical writings and records focusing primarily on men. The Code of Hammurabi c. Homosexuality in ancient Egypt between women is less often recorded, or alluded to, in documents and other artifacts as compared to homosexuality among men, but it does appear in such documents, e. The evidence about female homosexuality in the ancient Greek world is limited, with it being hardly mentioned in extant Greek literature. At least among these Athenian men, the discussion and depiction of female homosexual activity seems to have been taboo. Nonetheless, there are a few references to female homosexuality in ancient Greek literature. Two poets from the archaic period, Sappho and Alcman , have been interpreted as writing about female homosexual desire. Alcman wrote hymns known as partheneia , [note 1] which discuss attraction between young women. Though it is ambiguous, historians have considered the attraction in question to be erotic or sexual.
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